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The Outfit Full Movie

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The Outfit (2022)

Leonard is an English tailor who used to craft suits on London's world-famous Savile Row. After a personal tragedy, he's ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.

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5 Comments

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bertobellamy 05 Sep 2022

It plays like 'Reservoir Dogs,' but the dynamics aren't as thrilling as the Tarantino classic. This one-location film frames the calculated moves of a man forged by solitude and despair who slowly reveals his true self. Mark Rylance — as a Chicago tailor who has a pact with the local mafia —, of course, doesn't disappoint, but the plot feels too convenient to feel satisfying, and it gets very convoluted for you to care. In the end, 'The Outfit' is a decent gangster film with good acting and a somewhat interesting concept, but the messy execution keeps it from becoming more exhilarating.

Lauren J. Coates 17 Mar 2022

Even with a relative lack of action, and a confusing attitude towards introducing and removing characters from the narrative in rapid succession, The Outfit is still a wonderfully atmospheric film and fresh new addition to the genre – thanks in large part to Alexandre Desplat‘s heady score, sharp dialogue from writer-director Graham Moore, and Rylance’s consistently impressive leading performance.

Stephanie Zacharek 18 Mar 2022

At the center of this clever pinwheel of a story—Moore co-wrote the script with Johnathan McClain—is Rylance, whose economy of motion and emotion is a marvel.

Amy Nicholson 17 Mar 2022

The story’s pleasures are more literary than cinematic. On screen, it’s more obvious that Mr. Moore’s ideas don’t quite line up.

Robbie Collin 15 Feb 2022

It’s testament to the artfulness of Moore and Johnathan McClain’s screenplay that your suspicions flit constantly between all four parties, and the denouement – which takes a surprising yet just about merited turn for the macabre – still manages to surprise.