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The Handmaiden Full Movie

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The Handmaiden (2016)

1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to steal her fortune.

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Deanomite 08 Jan 2020

There is a great deal of talented work coming from South Korea the last decade or so, it reminds me of Akira Kurosawa talking about how in a movie, every shot should be a beautiful painting. That is what I thought of while watching this beautiful movie, every moment was beautiful in itself. The performances are all very natural and it feels like going on a journey of discovery. It reminded me very much of Blue Is The Warmest Color and that is a wonderful thing.

Filipe C 16 Oct 2016

A great twist on Sarah Waters' modern classic.

David L 07 Nov 2016

there are so many clever, erotic moments in this film & the story is SOOO well woven into two parts. For once, to say anymore would be giving away the film. Easily the best film of 2016 and tops Old Boy, Park Chan Wook's other classic. Tarentino could only fantasize about making a film like this.

Ian T 26 Apr 2017

The Handmaiden is a fine-tuned film, immaculately orchestrated, exquisitely performed and near-enough impossible not to admire. The ever-cunning Park Chan-Wook plays with expectation and distorts anticipation, reimagining ideas from Sarah Waters' English-set novel The Fingersmith as a distinctly Eastern whirlwind of pitch black wit and untouchable mistrust. The visionary director whips up a curious concoction of sexually-charged savagery and ghostly misgivings, delivering a unique tale which is quite literally constructed, deconstructed and torn apart before our very eyes, in such a way that demands our attention and captures all corners of our imagination. Few films offer such a showcase of pure cinematic dexterity.

Eduardo O 12 Jan 2017

Uma das poucas coisas que salvaram o cinema em 2016.