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The Falcon Takes Over Full Movie

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The Falcon Takes Over (1942)

While an escaped convict, Moose Malloy, goes in search of his ex-girlfriend Velma, police inspector Michael O'Hara attempts to track him assuming him to be a prime suspect for a number of mishaps.

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5 Comments

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Mike M 22 May 2011

The innards of the Chandler novel... reordered to showcase Sanders' way with a withering quip - not quite as refined here as in the actor's later vehicles, but still entertaining enough. Script and direction are quite perfunctory - tediously written interrogation sequences fall a long way short of providing the interpersonal chemistry of the great studio stars, and we're never given enough to convince us the journalist love interest might also be a crackshot with a pistol - but there are regular flashes of the genre's pleasures, as though it were intended as a sampler of noir themes and language for audiences put off by the flourishes of a Lang or Nick Ray.

Allan C 16 Aug 2012

Just as good a private detective story as the first two in this series, with Allen Jenkens adding plenty of colour to the film as usual. There's less emphasis on 'The Falcon's' love-life in this one which is the only sub-plot theme that is continuous through all the films.

Dave J 27 Nov 2017

Theme identical to "Murder My Sweet" except that this weak version was released first story written by film noir author Raymond Chandlier used as the third "Falcon" movie starring George Sanders as the title character. It has Ward Bond synonymous for starring on many John Wayne westerns, he plays a wrestling lug, Moose Mallory bent on tracking his girlfriend named Vilma. The Falcon's sidekick and partner "Goldie (Allen Jenkins) stumble into this bizarre love triangle when he was waiting for his boss The Falcon on front of a night club.

Richard C 25 Apr 2012

i enjoy all the falcon films, a time of champayne cocktails, cigarette cases and smudges of red lipstick on hankerchiefs, late night movies.

Katie R 12 Feb 2008

Noel Coward meets Raymond Chandler in this daft spin on "Farewell, My Lovely". Gay Lawrence, AKA The Falcon (I'm not making this up) is a foppish English anti-Marlowe, who prances about magnificently, causing every dame to swoon with passion at his every pithy remark. In a modern film the girl would be beating him up and stealing his lunch money. Still, it's enjoyable stuff, and at 60-odd minutes long, whizzes through the source material at light-speed.