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The Devil Is a Woman (1935) Full Movie

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The Devil Is a Woman (1935)

In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual 'Pasqualito' Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later. When Antonio meets Pasqualito, his old friend discloses his frustrated relationship with the promiscuous Concha and her greedy mother and how his life was ruined by his obsession for the beautiful demimondaine. Pasqualito makes Antonio promise that he would not see Concha.

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Jess L 22 Jun 2009

With a running time under 1.5 hours it's really a hard task Sternberg undertook with this film. To capture the history and real grittiness and nastiness of Dietrich's character the use of flashbacks were employed. While it may have aided in keeping the length of the film down it unfortunately stilts the narrative somewhat and doesn't help the audience really get to know the characters. That said this is quite enjoyable for what it is, a bit glitzy and glamorous and a bit of campy fun, in true Josef von Sternberg style.

Patty M 08 Jul 2007

Dietrich plays a duplicitous Spaniard. At this point in the von Sternberg/Dietrich series of collaborations, the Marlene image has been refined by serious angle eliminations and intensified micro-acting. Shots revealing Marlene's concave nose-bridge are gone, giving her a more classical appeal (also in Blond Venus); her high, dominant cheeks and mobile expressive chin replace the more traditional modes of eye-acting and body gesturing. If it had been appropriate, Von Sternberg probably would have had her act with forehead veins and closeups of sudden goosebumps. The acting and detail in this film really help make it clear why cinema makes old acting methods seem ridiculous and new tricks necessary. If it weren't for Von Sternberg's consistency of style, and the lack of a variation that his real peers like Visconti or Dreyer have, he might be the best director on a list of the best.

Matt Brunson 28 Jul 2018

The runt of the von Sternberg-Dietrich litter.

Juan S 16 May 2009

Narrated mostly as a large flashback, with two hollow and rather dumb male characters, the only thing to save this movie is the performance of Dietrich; and even whe seems clumsy with this particular far-too-glamorous and clamorous femme fatale (she is actually quite ridiculous when she tries to "act latin", though she seems to have learnt the ropes by Touch of Evil). As much as you may love classical film, you might want to skip this one.

James Kendrick 04 Aug 2018

seems designed to simultaneously emphasize and lampoon Dietrich's smoldering screen persona