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The Devil Commands Full Movie

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The Devil Commands (1941)

A story about a scientist who is obsessed with communicating with the dead.

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5 Comments

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Brett B 03 Sep 2014

An atmospheric horror yarn in the vein of Universal's spook cycle but from rival Columbia Pictures. The pseudo-scientific backbone of the the mad scientist hokum is admittedly a little silly (okay, VERY silly), but there's an earnest charm to it that is very enjoyable. Plus, you've got a wonderful assortment of genre tropes: raging thunderstorms, eerie and mysterious houses, whizzing and buzzing laboratory equipment, angry mobs of townsfolk, seances, and a side helping of Gothic melodrama. It's kind of a strange mixture (what with its attempt to fuse science and the supernatural), but director Dmytryk holds it all together as best he can, and with a straight face. It's also a treat to see Boris Karloff begin the tale as a relatively normal and sincere guy, rather than a weirdo, which probably would have been the more expected route. THE DEVIL COMMANDS is a very slight film, and it's not even close to the level of the Universal greats, but as a cheap knockoff from a rival studio, it's definitely an entertaining (in an non-ironic way) little chiller.

Jennifer B 08 May 2013

A good Karloff horror movie made at Columbia Studios. Interesting plot and special effects.

Ken Hanke 31 Oct 2006

Played for maximum spookiness (maybe a little too much so in some cases), it's one of the most memorable of all 1940s horrors.

Dennis Schwartz 25 Feb 2007

Karloff is allowed to act and shines in a frightingly sensitive and moving performance.

Kevin R 06 Dec 2009

Terrific mad-scientist flick economically directed by master of all genres Dmytryk. The setup takes up a good bit of the running time, but proves well worth it. Karloff's debunking of a fake seance pays off enormously when his technological seance table is revealed. This features seated, robotic corpses sporting enormous headpieces that resemble an iron maiden fitted with neon electrodes and glowing tubes. His romantic obsession drives him to seek beyond the grave, and even imperil his own daughter.