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The Blue Room (2014) Full Movie

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The Blue Room (2014)

In their blue hotel room, a clandestine couple of two married lovers plan an impossible future, as death shutters their already frail tranquillity. Now, the noose tightens more and more around innocents and sinners; but, was there a crime?

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5 Comments

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Elizabeth Weitzman 01 Oct 2014

The mystery is pretty low-key and the resolution somewhat disappointing. But Amalric is mesmerizing and the film’s taut, chilly tone leaves us unnerved.

Anthony Lane 28 Sep 2014

The great virtue of the movie is its length: a fat-free seventy-six minutes.

Michael O'Sullivan 15 Oct 2014

As a storyteller, Amalric is a master of manipulation, first leading the audience in one direction and then another. The Blue Room is a hall of mirrors, reflecting every detail but making it hard to know where you stand.

GinaK 09 Oct 2014

The Blue Room is a wonderful film directed by Mathieu Amalric, one of my favorite French actors. He captures beautifully the other side of the writings of Georges Simenon. Most people know Simenon’s Maigret books, where the stolid inspector always solves the crime. But Simenon wrote other, darker novels like The Blue Room that are about more absurd, insoluble "crimes." Amalric, both in his acting and in his direction, captures this existential mood beautifully. The film is unsettling and riveting as we follow the two married lovers from their affair through the deaths of their spouses, the interrogation of Julien, and the trial of the lovers for murder. It is up to the audience to decide whether the lovers are guilty, especially the enigmatic Esther, who says cryptically at the end that the lovers will at least be together in the same prison for life. But are they truly guilty? Is one guilty and not the other, and if so, who? It is up to you to decide if you see this film.

Keith Uhlich 29 Sep 2014

For all its surface effectiveness, however, The Blue Room never quite makes that intangible leap into greatness. It’s a phenomenally executed exercise that, like its protagonist’s memory, is too wispy for its own good.