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Symbiopsychotaxiplasm: Take One Full Movie

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Symbiopsychotaxiplasm: Take One (1968)

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

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5 Comments

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Tony O 21 Mar 2011

This is a comment on "Symbiopsychotaxiplasm: Take 2 1/2" but it is not listed independently on Mubi. The genius is that the creative control fluidly shifts not only between the actors, directors, producers and crew, but also the viewer, making the film one of the more engrossing, collaborative experiences you will ever have from the comfort of your own couch. Any attempt to assign meaning to the process is an attempt to exert creative control over the end product. As such, this review is as much a part of the movie as anything on the DVD. 5 out of 5 stars.

Erik G 30 Jul 2011

It's kind of hard to describe this without making it sound like hippie nonsense, but Greaves set out to make a film that would annihilate all accepted boundaries by being about its own making. Improbably, he succeeded.

John S 27 Sep 2011

Experimental film that is interesting as an experiment, but to what end? I don't know.

Rob F 21 Sep 2008

This movie isn't really a movie, or is it? It's about making a movie that isn't really a movie, but than itself is the movie, but was that the intention from the beginning? Whatever. Confusing, but engaging, and so, so fascinating.

Jeffrey M. Anderson 09 Feb 2007

It's a puzzle without an answer; and the most fascinating element of all is Greaves himself.