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Satyricon Full Movie

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Satyricon (1969)

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

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Dustin M 12 Aug 2008

The disjointed sequences of Fellini Satyricon addresses the gaps and mysteries of history itself, raising questions of how much one can truly know about the past and the ignored subjects of the lower classes.

Richard-Yves S 01 Dec 2007

The Romans were a strange people. They didn't think or act like us, despite the apparent similarities in our respective cultures. How to evoke these differences? If you are Fellini, you turn your back on verisimilitude and depict the Roman world (inevitably) as a sideshow. And by God it works. Nothing is recognizable here--boats, buildings, behaviour. This is a world in which the kidnapping of hermaphrodites makes perfect sense--in which arbitrary activity obeys an internal logic we can only guess at. This isn't really about "decadence" (a much-abused, and essentially meaningless term) or about hedonism or anything so obvious. It's a reminder that otherness is pervasive and undeniable.

Nate W 12 Aug 2009

I have never been a pronounced fan of Federico Fellini; though many rank his cinematic talents with those of Bergman, Kubrick, Bunuel, and Hitchcock, I have always viewed him as somewhat overrated. However, this ridiculously baroque audio-visual banquet is a testament to his surreal genius. Demiurgic production and costume designer Danilo Donati's cubistic, postmodern rendering of peacock-ridden villas and Roman Ornate wall painting, along with Nino Rota's unusually sparse, hauntingly plucked score, encapsulates a timeless, meandering, and occasionally nightmarish atmosphere. The cast, to boot, is a decadent affair, particularly Martin Potter and supermodel Hiram Keller as the competing quasi-lovers Encolpio and Ascilto and Mario Romagnoli as the bloated businessman Trimalcione towering over his dinner of garishly painted eunuchs and roasted boars. An erotic, phantasmagorical voyage through a hideously meretricious confection of Julio-Claudian Rome.

Mona K 09 Aug 2007

The parts of Rome that films like BEN-HUR and GLADIATOR didn't show you.

Cassandra M 09 Feb 2010

Hard to watch but still quite interesting. One of the strangest films ever to come out of Federico Fellini's mad (and beautiful) mind.