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Sabotage (1937) Full Movie

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Sabotage (1937)

Karl Anton Verloc and his wife own a small cinema in a quiet London suburb where they live seemingly happily. But Mrs. Verloc does not know that her husband has a secret that will affect their relationship and threaten her teenage brother's life.

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5 Comments

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Bilge Ebiri 30 Mar 2014

For Sabotage, as good as it is in its first half, can’t keep it together.

bloodfoot 10 Jul 2014

With the exception of a couple of instances of gimmick editing and bad dialogue (forced humor) this is about as good as it gets in the genre it occupies.

BigZ 06 Oct 2014

Dang it Arnold...bad call. This movie was set to be awesome and BA as far as action movies are concerned. I expected it to be just that. I was disappointed and even disgusted at what I saw in this film. A lot of blood, violence, bickering, and swearing. Which you can get away with in an action movie as long as there is a net to fall on like a character that is actually very smart coherent and reasonable or sexy women or clever humor...of which there was none. It was all very vulgar, lowbrow, and just rude. There is only so much of that that can be taken without blemishing the movie. There was a definite guessing game that was kept alive as to who is behind what exactly, with a few holes but nothing too serious. But the end result was just disheartening and bleak. Nothing to hope for or look forward to. It is cool to see the governor getting swole and becoming the action hero we all love once again but its Just a dark movie that isn't really Arnold's type. Van-Damme or Segal maybe. But, come on.

Scott Foundas 27 Mar 2014

The rest of Sabotage rarely rises to Schwarzenegger’s level, in large measure because the other characters (of which there are far too many) aren’t nearly as sharply drawn by Ayer and co-writer Skip Woods.

Matt Singer 27 Mar 2014

Sabotage’s mystery component is mostly dead on arrival, and poor Olivia Williams has the thankless job of carrying it as the no-nonsense detective searching for the killer. But as Ayer proved with his previous film, End Of Watch, he has a natural eye and ear for the ecosystem of law enforcement.