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Ride Lonesome Full Movie

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Ride Lonesome (1959)

On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.

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Davey M 25 Aug 2010

"Ride Lonesome" is a beautifully shot Western from the fruitful director/actor tandem of Budd Boetticher and Randolph Scott, who built a reputation for consistently producing quality cowboy stories. Like their other collaborations, "Ride Lonesome" makes use of the scenerio of enemies â?? or characters who don't get along, at least â?? being forced to share close quarters through most of the movie, allowing for expository dialogue that's laced with great dramatic tension. It also features an ambiguous hero (Scott, naturally) whose backstory is gradually exposed, forcing the audience to constantly shift our perception of him.

Jim M 09 May 2015

My favourite Western of all time. A cracking script, tension, a neat twist, great performances - particularly from Pernell Roberts - and the beautiful rugged landscape of Lone Pine. The final scenes give it one of the most satisfying endings of any Western. The best Boetticher-Scott collaboration, which is saying something when you consider Seven Men From Now, The Tall T and Comanche Station.

Walter M 04 Jan 2010

My favourite of the Boetticher/Scott westerns.

Michael E. Grost 09 Aug 2011

Richly styled Western with some of the most sympathetic characters in Budd Boetticher.

Josh M 27 Jun 2009

My first exposure to the works of Budd Boetticher, and I came away quite impressed. There's no doubt that Boetticher worked within a narrow formula (a fact that became even more clear after the second half of the double feature), but Ride Lonesome makes the best pf that formula, letting its characters breathe to some degree and bringing enough interesting morality to play to keep things novel. There are some weaknesses, to be sure; the female character is one-dimensional at best, and the friendly animosity between Scott and Roberts doesn't always feel convincing. Still, the visuals are magnificent, emphasizing the insignificance of the men against the massive West, and it all builds to a really great finale (and a great final image). It's a testament to Boetticher's talent that something so formulaic can have so much life and interest to it.