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Rembrandt's J'Accuse...! Full Movie

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Rembrandt's J'Accuse...! (2008)

J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different.

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5 Comments

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Dennis Schwartz 01 Jan 2011

Like all Greenaway films, it's not for all tastes.

Fredrik S 05 Dec 2012

A great kombination of art history lesson and conspiracy theory and probably my favorite of Greenaway's more recent films. I realize that I probably would have liked to see this before Nightwatching, as I would have understod more of that film.

Gregory W 09 Apr 2010

Taidehistoria dokumentti, joka palkitsee ensimmaisen vartin hammennyksen jalkeen. Opettaa 1,5 tunnissa miten Yovartiota voi katsotaan. Greenway on oman tyylinsa hiottuaan siirtynyt yha enemman puhtaan opettajan rooliin. Tama kehitys alkoi Baby of Maconista, jossa han naytti yleisolle paikkansa ja kulminoitui Veneziassa viime vuonna pystytettyyn renesanssi maalauksen dekonstruktio paviljonkiin.

Cole Smithey 26 Oct 2009

More than merely a resource for art historians and students, "Rembrandt's J'Accuse" is a gift from an underestimated genius of cinema. You might just might want to see it a second time.

Eric B 26 Dec 2011

This Peter Greenaway film is heady, dense and intellectually demanding. Big surprise, eh? Mixing documentary style with recreations drawn from his companion film "Nightwatching" (which is much easier to watch), Greenaway himself appears onscreen to narrate a wordy, PhD-level dissection of Rembrandt's celebrated painting "The Night Watch." Relying on another of his easily parodied "list" structures, the director proceeds through 34 numbered mysteries surrounding the work, offering explanations that may or may not be fully provable (I am not an art scholar, so I'm not the one to ask). As with "Nightwatching," the central thesis is that Rembrandt embedded clues in his painting to expose an elite Dutch militia group's murder conspiracy. And furthermore, that this daring act of rebellion led to his upper-crust benefactors shunning him -- thus bringing about his financial ruin.