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Redoubt (2019)

The goddess Diana and her two attendants traverse the rugged terrain of Idaho's Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

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Robert Abele 23 Jan 2020

Redoubt is slow going but not uninvolving. Barney’s filmmaking is less about the manipulation of image, or the roiling power of editing to create emotional states, than it is about dutifully documenting what he’s created, what he’s seeing, what’s on his mind.

Ignatiy Vishnevetsky 30 Oct 2019

It seems as though the artist, all too aware of his reputation for both pageantry and shock value, has decided to offer nothing of the kind.

Peter Debruge 31 Oct 2019

If it all made sense, would it still be art? Ironically, the trouble with Redoubt is that it’s not obtuse enough. It’s the first Barney film audiences won’t have trouble sleeping after — or through.

Glenn Kenny 30 Oct 2019

Redoubt reaches for intimations and apprehensions of the cosmic.

Pat Brown 01 Nov 2019

Matthew Barney re-instills nature with some of the mystic aura that modernity, with its technologies and techniques of knowledge, has robbed it of.