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Profile (2018)

Looking to investigate recruitment techniques of ISIS to lure women into Syria, a journalist creates a Facebook profile of a Muslim convert. When an ISIS recruiter contacts her online character, she experiences the process first hand.

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5 Comments

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Jessica Kiang 13 May 2021

Like any weird internet rabbit hole you might fall down when you know you should be reading a book or brewing kombucha or going to sleep, this thriller is almost annoyingly slick and moreish.

TVJerry 18 May 2021

Russian director Timur Bekmambetov launched an impressive career with his vampire films Night Watch and Day Watch. His output since then has been uneven. This one falls in the less notable efforts. It’s based on a French journalist’s book In the Skin of a Jihadist about her investigation into the recruitment of women by ISIS via social media. This version takes place in England, where the reporter assumes the identity of a converted Muslim to form a relationship with a fighter in Syria. The most unique thing about this film is the approach: It all takes place on her computer, using Facebook, Skype and other screen-based apps. This has been at least twice before (Searching and Unfriended), so it’s not that new. And, it’s been done better. Watching her relationship expand is intriguing, but very slowly paced. Even when she starts to make dumb decisions, the tension barely surfaces. The concept is better than the execution.

Rob Hunter 19 Mar 2018

Imagine your Windows desktop screen, but even less upsetting, off-putting, and terrifying.

Mark Hanson 11 May 2021

Timur Bekmambetov’s Screenlife film is more fluff piece than hard-hitting news story.

Wendy Ide 10 Apr 2021

The story is told entirely on a computer screen, through skype, social media and editing programs. And despite the restrictions of this device, the film crackles with tension.