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Penance (2014)

Confessionals are places of sanctuary and solace. But one woman has something else on her mind to divulge.

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5 Comments

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O

Oliver Lyttelton 12 Nov 2014

It’s a reminder of what a tremendously talented writer and director Kiyoshi Kurosawa is, and hopefully we’ll see him venturing back to the big screen sooner rather than later.

S

Simon Abrams 11 Nov 2014

While it doesn't cohere into anything more substantial than a collection of self-loathing anxieties, Japanese teledrama Penance is effectively unnerving on a scene-for-scene basis thanks to writer/director Kiyoshi Kurosawa's preference for ambience over character-driven drama.

D

Deborah Young 13 Nov 2014

Complexly plotted, elegantly shot and orchestrated, this is the kind of long-winded, intermittently involving festival package that will earn the director of Tokyo Sonata more critical appreciation but will struggle to find a theatrical audience. For a film that requires nearly five hours of viewing investment, it feels terribly stingy on the emotional payoff.

I

Ignatiy Vishnevetsky 13 Nov 2014

The overarching theme is the slow, trickling spread of evil; the old familiar story of violence begetting violence, which Kurosawa is able to render in terms that seem mysterious and sub-rational.

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Nicolas Rapold 13 Nov 2014

Mr. Kurosawa expertly modulates an uncanny flow of energies between shame and grief, between venal urges and high-minded moral demands. The women’s travails suggest something that’s part curse, part mythic cycle of guilt and part kaleidoscopic dread.

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