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Peeping Tom (1960) Full Movie

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Peeping Tom (1960)

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

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5 Comments

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Ethan Y 11 Feb 2010

MIchael Powell effortlessly transports the viewer into the meta-cinematic world of Mark Lewis, a good person driven mad by his over-bearing father. Powell wisely shoots the film using lots of greens and reds, imitating the sickly look of early two strip technicolor. Led by an astounding performance from Karlheinz Bohn, Peeping Tom isn't just the British answer to Psycho, it may also be the superior film.

Carly R 04 Jun 2007

Serial murder has never been so beautiful.

Phillip M 20 Jan 2008

A chilling, compelling psychological thriller.

Josh M 24 Jan 2009

For the longest time, I put off watching this thanks to, of all things, my horror film class in college. We covered this class a bit in discussion, and it always sounded a bit dry and academic to me. How incredibly wrong I was. It's no wonder that Peeping Tom bombed when it came out - even today, the way it turns the blame back on the audience makes for an uncomfortable viewing experience, to say nothing of the disturbing and twisted psyche at the core of the tale. Add into that the cameo by the director and his family - more specifically, the role that he chooses for himself - and you have a dense, complex tale that may lend itself well to academic analysis, but is never dry - in fact, as visceral horror films go, it's a classic of the genre. (A sacrilegious thought - I think this is actually a more interesting and complex tale than Psycho, which came out the same year - the only advantage I give to the Hitchcock film is Perkins' indelible performance.)

Patrick D 25 Jan 2009

A masterpiece! Peeping Tom is a disturbing horror classic which uses atmosphere and clever dialogues to keep the audience's attention at the peak. Direction and plot is top-notch! The use of props is what gives it its unique edge: You feel how the camera and film strip are unseperatable elements of the story, and how they shape the character of Mark Lewis. Although it features exaggerated acting and courtesy of the film making of the era, even this helps plot development, especially towards the end. A must-see for everybody who wants to re-discover horror genre!