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Museo (2018)

Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.

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5 Comments

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R

Rory O'Connor 30 Dec 2018

The heist sequence alone is a confident mix of visual inventiveness and nods. What the film does lack, intentionally or not, is a clear moral arrow.

B

Bradley Warren 04 Sep 2018

It’s an endlessly entertaining, challenging investigation of history that confirms Ruizpalacios’ status as the next big thing in Mexican cinema.

T

Ty Burr 09 Jan 2019

Museo is slightly frustrating on first watch, as its themes lie partly hidden behind Bernal’s intentionally abrasive performance and the mix-and-match filmmaking of Ruizpalacios: Bursts of faux-epic movie music in Tomas Barreiro’s score, camerawork that can be ironically portentous, scenes that flit along the edge of the surreal. The connective tissue is sometimes hard to discern.

G

Godfrey Cheshire 13 Sep 2018

The new film combines the filmmaker’s distinctive stylistic verve and droll wit with the talents and charisma of Mexico’s leading international movie star, Gael Garcia Bernal.

J

Jessica Kiang 14 Nov 2018

Ruizpalacios spins an irresistibly inventive and unusually intelligent tall tale from this kernel of truth. All the mischief, however, is precisely counterbalanced by a deep affection for his funny, flawed (largely fictional) characters and shot through with a surprisingly biting assessment of the compromised nature of the museum trade.

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