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Manto (2018)

In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

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5 Comments

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Shilpa Jamkhandikar 20 Sep 2018

As Manto, Siddiqui is at the top of his game, embodying his mannerisms and body language, but even he cannot make up for the flaws in the script.

Devesh Sharma 19 Sep 2018

...it's a faithful recreation of the life and times of one of Indian subcontinent's literary giants whose writings are still as relevant today as they were then.

Chelsea Phillips-Carr 05 Sep 2018

Das displays great skill and sensitivity as a director, which unfortunately is held back by her choice of a conventional narrative template.

Baradwaj Rangan 28 Aug 2018

Manto goes after a bit of everything - the result is a solid work with many affecting passages, but without the focus that might have made it a greater film. Nandita Das proves, again, that her most distinctive quality is understatedness.

Nandini Ramnath 20 Sep 2018

There is a wealth of detail here, based on copious research. However, in order to make sense of the numerous cameos and walk-on parts, viewers need to have a little knowledge of the world Manto inhabited