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José (2020)

José lives with his mother in Guatemala: a tough life in one of the world's most dangerous, religious, and impoverished countries. José is her youngest and favorite child, and her life is going to church and selling sandwiches. He spends his days on crowded buses and in the streets delivering food. Resigned and aloof, in free moments he plays with his phone and looks for random sex. When he meets Luis, José is thrust into a dimension of passion and pain and self-reflection that was previously unimaginable.

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5 Comments

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Fionnuala Halligan 20 Jan 2020

Notable for the crispness of the lensing, Jose is deceptively simple but punches above its slight weight.

Amber Wilkinson 05 Sep 2018

Although the story is slight, Cheng treats the subject matter with care, allowing a slow but certain heat to build between José and Luis

Gary Goldstein 06 Feb 2020

José is hardly the first movie to spotlight a young person navigating their homosexuality in a repressive and perilous environment. Nonetheless, this sophomore feature from Chinese-born director Li Cheng, who co-wrote with George F. Roberson, feels like a singular and essential entry in that subset of LGBTQ coming-of-age films with an international beat.

Lisa Kennedy 18 Feb 2020

Cheng delivers a mood that is unquestionably human and, at times, unexpectedly hallowed (as when Jose stares down the worn face in a Mayan ruin). José brings to light the promise of a director as compassionate as he is observant.

Brent_Marchant 30 Aug 2020

This noble attempt at depicting the everyday difficulties faced by members of Guatemala's gay community seeks to tell a touching and often-frustrating story. However, the picture's episodic nature (especially in the second half) tends to meander so much that it loses a great deal of its cohesiveness. It's almost as if the film tries to check off items on a list of incidents to portray, with only a very loose thread stringing them together. The movie's beautiful cinematography, atmospheric score and fine performances by relative newcomers are all admirable, as is the picture's willingness to depict gay male sexuality realistically. But these noteworthy attributes aren't quite enough to save a film that fundamentally has trouble finding its way, a valiant effort that ultimately comes up short.