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EO (2022)

The world is a mysterious place when seen through the eyes of an animal. EO, a grey donkey with melancholic eyes, meets good and bad people on his life's path, experiences joy and pain, endures the wheel of fortune randomly turn his luck into disaster and his despair into unexpected bliss. But not even for a moment does he lose his innocence.

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5 Comments

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Justin Chang 07 Dec 2022

In EO, the camera doesn’t just follow the story or record the action. Its restless, exploratory movements express a kind of shared consciousness, a spirit of communion among different members of the animal world, whether they’re running together in a field or sharing the same tight enclosure. It’s the grace of this movie to extend that communion to the human beings who pass in front of the camera, and whose fates are tightly bound up with EO’s, whether they realize it or not.

JLuis_001 18 Feb 2023

How do animals perceive us? There is a fair amount of argument to be made about it and it will just be guesswork for the most part. Now how is it that we believe that animals see us through a look made by the human being. That's actually more terrifying because we admit our cruelty and our brutality, we recognize it as part of our nature and we do nothing to change it As with Andrea Arnold's Cow, the odyssey seems to be a kind of acknowledgment of how we interact with these creatures, the existence we provide to them and how, although evolution supposedly separates us as those on the top of the chain, we are still completely linked to them. EO definitely did not enter my 2022 top best and frankly I wasn't expecting it even with all the hype the film carried, however I liked it a lot, which in the end is more than good.

Jordan Mintzer 26 May 2022

Despite a shred of story that’s told episodically, EO, which clocks in at a concise 86 minutes, can be an engrossing experience.

Matt Zoller Seitz 21 Nov 2022

It's as much an anthropological pseudo-documentary as it is a drama, one that sometimes evokes the Terrence Malick philosophy of "The Thin Red Line," which began by insisting that humans are a part of nature and that when humans war with other humans, it is nature warring with itself.

Peter Bradshaw 25 May 2022

I’m not sure this is my favourite Skolimowski film, but it is engaging in many ways: beautifully photographed, sentimental and surreal in equal measure; and also stubborn – as stubborn as its hero – in its symbolism and stark pessimism.