City Girl (1930) Full Movie
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City Girl (1930)
A waitress from Chicago falls in love with a man from rural Minnesota and marries him, with the intent of living a better life - but life on the farm has its own challenges.
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5 Comments
David H 20 Sep 2010
Friedrich Wilhelm Murnau's last Hollywood Movie is a tragic Love Story between a Farmer Boy and a City Girl Kate is a Waitress who have enough from the City with it's Rush and Enstragment, her hard Work and the brash Attitude of the Men who all want always the same then she meets a civlized Farmer Boy who is nice to her and defent her she goes with him to the Land and marry him and hope for a better Future but on the Land it is even harder than in the City, her Father-in-Law is a Tyrann, against the Marriage and hit her, her Work here is even harder and the Men are even more Brash one want to unhitch her and want to leave with her and inicite the Harvesters to leave the Field while a Storm threathen to destroy the Wheat Harvest but in the End Love wins and it be a Happy End like in many Hollywood Movies great Actors, great Directions, a great Story and a great Soundtrack
GringoTex J 12 Feb 2009
City Girl was a real eye-opener for me. I always assumed that Murnau's leap from mobile camera in Sunrise to stationary camera in Tabu was necessitated by extreme remote location shooting, but City Girl shows Murnau already abandoning the dolly tracks. I can only recall two non-diegetic dollies: a brief one in the city and the extraordinary one in the run through the wheat field. Every other camera movement is associated with moving farming equipment. The result is a decoupage that is strikingly contemporary. It appears to me to be Murnau's first "sound" film. He could have recorded dialogue without changing a single shot, and it still would have worked. Thematically, it's an interesting inversion of the City/Country dichotomy in Sunrise. The city brings morality to the country rather than treachery. And it's the country that supplies the lovers' playground instead of the city.
John A 05 Oct 2010
Murnau takes a slightly implausible story to heights it would not have reached with another director. Two passages of the film stand out for their beauty and poetry: the harvest scenes and the return home after Lem's wedding. Murnau focuses on the concrete elements simply, allowing the power of these significant moments in these people's lives to shine without covering them up with dialogue and plot. Not to the level of Sunrise (what is?), City Girl remains a fine film in its own right.
Gareth D 30 Apr 2017
Ignore the naysayers, whatever the hell they know about movies. This is magnificent movie making. I rarely use the word 'literally', but this film is literally breathtaking. I loved it from the start with perfect casting and moment-capturing. Great cinematic storytelling. A silent movie to begin anyone's journey into silent movies. Can't rate it highly enough. I laughed. I gasped. I hung on every moment, and, being a silent in the last days before the advent of the dull talkies, there were many of them. Terrific joy in a pure wonder where even the smallest characters have presence.
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