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Badlands (1974)

An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

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Roger Ebert 31 Mar 1993

The movie makes no attempt to psychoanalyze its Kit Carruthers, and there are no symbols to note or lessons to learn. What comes through more than anything is the enormous loneliness of the lives these two characters lived, together and apart.

MattBrady99 20 Feb 2018

Terrance Malick made one of the most sweetest movies about serial killers I've ever seen. The fact this is his direct debut and how skillful directed is impressive. Best film debuts of all time. While a slow drift with it's pacing, but what keeps us so invested is two great performers from Sheen and Spacek, and the breaking taking cinematography. Like a feeling of peace. Not the type of characters you usually follow in a movie about love and freedom; love is strange.

Spangle 11 Jun 2015

This film is classic Terrence Malick. Exquisitely shot with a great premise and execution of that premise, Badlands is a film that suffers because of its writing. The acting is fine with Martin Sheen being the stronger of the two and completely embodying his character. Sissy Spacek was alright with moments of brilliance, but also moments where she struggled mightily. The costume design here is also quite good. However, back to the writing, the story is very good. It is well developed and interesting to watch unfold. Yet, the characters are terrible, as they act irrationally and nonsensically throughout the film. The dialogue is also horrendous and completely lacking any sense of reality. At no moment does this film feel authentic and that is due to the terrible dialogue and characters. While the story may be interesting, it suffers due to those two elements that really suck you out of the film. Badlands is probably Malick's strongest film that I have seen thus far, which is sad, because you can tell he is really brilliant, but he has no idea how to write a script.

Peter Stack 14 Jul 1995

Among the great American crime movies, 1973's Badlands stands alone. [13 Feb. 1998]

Tina Hassannia 07 Jan 1985

Where it’s not refined in form, Badlands is so by virtue of the specificity of its material (the then-topical sensationalism of teenage sociopaths and their glamorization in popular culture), a fact that has been buried by the dense literature published on Malick. Yet the film never once feels like the faded photos Holly examines under her father’s stereopticon.