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Badlands (1974)

An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

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Tina Hassannia 07 Jan 1985

Where it’s not refined in form, Badlands is so by virtue of the specificity of its material (the then-topical sensationalism of teenage sociopaths and their glamorization in popular culture), a fact that has been buried by the dense literature published on Malick. Yet the film never once feels like the faded photos Holly examines under her father’s stereopticon.

Mike D'Angelo 09 Jul 1976

Critics don’t tend to talk about this much—it’s tantamount to a confession that we don’t always know what we’re doing—but it’s often the case that the most powerful, haunting aspects of a movie are those that we don’t fully understand.

Spangle 11 Jun 2015

This film is classic Terrence Malick. Exquisitely shot with a great premise and execution of that premise, Badlands is a film that suffers because of its writing. The acting is fine with Martin Sheen being the stronger of the two and completely embodying his character. Sissy Spacek was alright with moments of brilliance, but also moments where she struggled mightily. The costume design here is also quite good. However, back to the writing, the story is very good. It is well developed and interesting to watch unfold. Yet, the characters are terrible, as they act irrationally and nonsensically throughout the film. The dialogue is also horrendous and completely lacking any sense of reality. At no moment does this film feel authentic and that is due to the terrible dialogue and characters. While the story may be interesting, it suffers due to those two elements that really suck you out of the film. Badlands is probably Malick's strongest film that I have seen thus far, which is sad, because you can tell he is really brilliant, but he has no idea how to write a script.

Jay Carr 20 May 2010

Badlands is about a landscape as much as the couple fleeing across it. Watching it, you sense that Malick finds his outlaw lovers beautiful and terrible, pathetic and monstrous, funny and overwhelmingly sad. [27 March 1998]

Joshua Rothkopf 02 Oct 1981

Badlands is the American myth of freedom and violence; it doesn’t get old because it remains what we are.