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Badlands (1973)

An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands.

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Spangle 11 Jun 2015

This film is classic Terrence Malick. Exquisitely shot with a great premise and execution of that premise, Badlands is a film that suffers because of its writing. The acting is fine with Martin Sheen being the stronger of the two and completely embodying his character. Sissy Spacek was alright with moments of brilliance, but also moments where she struggled mightily. The costume design here is also quite good. However, back to the writing, the story is very good. It is well developed and interesting to watch unfold. Yet, the characters are terrible, as they act irrationally and nonsensically throughout the film. The dialogue is also horrendous and completely lacking any sense of reality. At no moment does this film feel authentic and that is due to the terrible dialogue and characters. While the story may be interesting, it suffers due to those two elements that really suck you out of the film. Badlands is probably Malick's strongest film that I have seen thus far, which is sad, because you can tell he is really brilliant, but he has no idea how to write a script.

Wally Hammond 25 Apr 2003

Badlands is as psychologically precise as it is splendidly visually observant. But it also exudes a timeless, mythical and tragic quality which is all the more remarkable for the languorous ease with which its story unfolds.

Rob Fraser 12 Jan 2017

Achingly evocative of a time when Hollywood had the courage to invest in complex and morally ambiguous films and an indisputable masterpiece of American cinema. [26 May 2003]

Dave Kehr 25 Nov 1990

A film so rich in ideas it hardly knows where to turn. Transcendent themes of love and death are fused with a pop-culture sensibility and played out against a midwestern background, which is breathtaking both in its sweep and in its banality.

Joshua Rothkopf 02 Oct 1981

Badlands is the American myth of freedom and violence; it doesn’t get old because it remains what we are.