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Where Do We Go Now? Full Movie

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Where Do We Go Now? (2011)

In a remote, isolated Lebanese village surrounded by land mines, Muslims and Christians live together in peace. As civil strife starts to engulf the country around them, the women in the village try, by various means and to varying success, to keep their men in the dark by sabotaging the village radio, and then destroying the village TV.

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5 Comments

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An?eló D 24 Dec 2011

I like Nadine Labaki's movies. She never stops to entertain us with bold ideas and important issues and this movie is an example of her innovative work. In many Arab countries and Lebanon is one, Christians lives next to Muslims and we see in this movie how close they are. In a comic way, we follow the wise ladies in the village in their attempts to bring peace in a time of civil war.

Lee Cassanell 09 Jan 2019

Where Do We Go Now's strength lies in its premise, which gives Labaki licence to create a variety of amusing set-pieces based around the wily women's attempts to placate their agitated menfolk.

Sophie Monks Kaufman 20 Jun 2012

Baffling nonsense but beautiful and profound. We're conflicted.

Michael S 20 Mar 2013

"Where Do We Go Now?" walks a fine line from scene to scene. It's religious subject matter is undeniably touchy, but director Nadine Labaki and co. confront these age old issues with lighthearted farce, sentimentality, hard drama, jarring musical numbers and no little whimsy. Few films could have such element coexist to positive results, but Labaki uses them to strengthen the film. They don't come off as superficial and compliment her vision. This is a great little film that deserves to be seen for a myriad of reasons, most of which is it's impressive thematic balancing act. If you are looking for a stern, serious condemnation of religious indifferences, look elsewhere. "Where Do We Go Now?" is a parable that plays by it's own rules, in it's own world, but screams just as loud.

Faisal H 24 Nov 2011

Funny and charming when it's trying to be with some very memorable music and performances, but stumbles when it tries to be melodramatic with its social issue theme.