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What She Said: The Art of Pauline Kael Full Movie

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What She Said: The Art of Pauline Kael (2019)

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined 'The New Yorker' in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael's writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

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5 Comments

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L

Liam Lacey 22 Jan 2020

The subject alone should ensure that it gets lots of attention from film reviewers and despite a jumpy, hodge-podge style, should be generally enjoyable to anyone interested in the seductive, contentious cultural phenomenon of The New Yorker’s famous critic.

B

Bill Goodykoontz 12 Mar 2020

What She Said is a good movie, an engaging look at probably the most influential film critic of all time. (If you want to make a case for Roger Ebert, know that he was one of her followers.) But it’s obviously not the best way to understand her work and her influence. There’s only one real way to do that: Read her.

R

Roger Moore 12 Oct 2020

Writer-director Rob Garver has gotten at the essence of the woman — a frustrated playwright who turned criticism into “short stories and sonnets,” as one fan says.

J

Jeannette Catsoulis 26 Dec 2019

A numbing torrent of largely unidentified film clips and poorly labeled commentary, Rob Garver’s overstuffed tribute to the life and work of America’s best-known — and most written about — film critic is at times barely coherent.

C

Chandler Levack 15 Jan 2020

The state of modern criticism has never been so splintered. We create harsher and harsher binaries in our online response to cinema every day, so reading Kael can make you go, “Hey, remember pleasure?” While Garver’s documentary isn’t worthy of its subject’s fascinating artistic legacy, I anxiously await the one that is.

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