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The Raven (1935) Full Movie

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The Raven (1935)

A brilliant but deranged neurosurgeon becomes obsessively fixated on a judge's daughter. With the help of an escaped criminal whose face he has surgically deformed, the mad man lures her, her father, and her fiancé to his isolated, castle-like home.

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5 Comments

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Leslie Felperin 10 Mar 2012

The Raven is a squawking, silly picture that never takes flight.

Covino 29 Apr 2012

I can't in good conscience countenance any flick that so blatantly rips off a Poe-inspired novel's essential plot and premise. And then simply transports said plot and premise from the novel's original contemporary setting in San Francisco to its fabricated period piece location of Baltimore. But the ripped off plot and premise stays intact: a psychotic serial killer inspired by Poe, copy-catting Poe-conceived crimes. If you don't believe it, objectively check out the book description of this Poe-inspired novel at Amazon.com: EDGAR ALLAN POE'S SAN FRANCISCO: TERROR TALES OF THE CITY Enough said! http://www.amazon.

Andys_Reviews 18 Mar 2013

On the plus side, it’s a pretty well made film with all the technical stuff, costumes and sets done very well. On the downside, the dialogue is terrible with everyone trying to sound like they’re straight from a Poe story or poem; it really didn’t work for me I’m afraid. This did have one positive side effect though; it gave John Cusack the opportunity to do some excellent scenery chewing over-acting; which I found quite funny in places. Sadly it’s a film that promised much but failed to deliver. I found I had no connection with any of the characters. I have not read much Poe and so I didn’t get many of the many nods to his work. Over all; quite disappointing. SteelMonster’s verdict: NOT RECOMMENDED My score: 5.

David Fear 26 Apr 2012

Bibliophiles, librarians and graduate students may swoon at the sight of the author's signature grotesquerie.

J.R. Jones 25 Apr 2012

This may conjure up unpleasant memories of Guy Ritchie's "Sherlock Holmes" movies, but Ritchie could learn a lot from director James McTeigue (V for Vendetta); this is multiplex fare to be sure, but McTeigue manages to popularize 19th-century literature without completely vulgarizing it.