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The GoodTimesKid Full Movie

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The GoodTimesKid (2005)

Hoping to improve his life, the temperamental Rodolfo Cano enlists in the Army. But when another Rodolfo Cano receives his sign-up orders, the two Rodolfos' lives collide -- with the first Rodolfo's girlfriend adding to the confusion.

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5 Comments

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D

Danny B 14 Jul 2011

Azazel Jacobs explores the disconnect between reason and intuition for three people over a 24-hour span. The film seems rather rough aesthetically at points, but Jacobs' characters and their actions, or lack thereof, are the most compelling aspects. Sara Diaz is the breakout of the movie, bringing with her to the role a sense of carelessness and freedom that is difficult to recreate.

G

Generoso F 03 Apr 2012

In Azazel Jacobs film The Good Times Kid, the lives of two unrelated men, both named Rodolfo Cano, intertwine during a 24 hour time window in LA. They are both brought together when one of the Rodolfo's in mistaken by the US Army for the other, who has enlisted into the service. Thrown in the middle is Diaz, well played by the luminescent Sara Diaz, who toggles between the two when deciding her own future. What plays out is quite reminiscent to the early films of Jim Jarmusch, complete with understated performances, key musical moments and the saving grace of the film, stunning cinematography by Eric Curtis and director Jacobs. An extremely charming an interesting film that slipped under the radar back in 2005 but deserves a good look.

M

Matt Zoller Seitz 17 Jan 2007

Mr. Jacobs's approach is descended from a long line of minimalist filmmakers, from Jacques Tati ("Monsieur Hulot's Holiday") up through Jim Jarmusch ("Mystery Train"), but The GoodTimesKid dances, like Diaz, in its own sweet style. It doesn't get to the point because getting there is the point.

D

David Cornelius 10 Sep 2009

The film says so much while saying so little, and it leaves us smiling over its silent wonders.

E

Ed Halter 16 Jan 2007

Though the film never transcends its own neo-boho quirk, it concludes in a marvelous final shot: a long take set to Gang of Four, grungy and materialist in the Jacobs tradition.

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