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The Damned Don't Cry Full Movie

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The Damned Don't Cry (1950)

Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.

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5 Comments

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Scott S 03 Jan 2009

It's kind of like Mildred Pierce meets The Public Enemy. I love all of Joan's snappy, tough lines.

Dave J 14 Oct 2018

After Ethel Whitehead (Joan Crawford) loses her only son which was the only thing that was holding her and her live-in spouse together while making ends meet by making the minimalist wage, she leaves him seeking success elsewhere. And while doing small odd jobs, she would begin to move up the ladder upon modeling for gangsters before associating herself with a nice and moral small time accountant of s small firm by the name of Martin Blankford (Kent Smith). Because Martin cares for Ethel very deeply he lets her manipulate him to get involve with illegal gambler, George Castleman (David Brian) whose real name is Joe Caveny.

Mike G 14 Sep 2007

Joan Crawford was really amazing in this film.

Mark S 30 Dec 2011

I think many Joan Crawford - and Warner Brothers - films of this period must have followed a similar but effective formula, starting at the end and then going back to show how this dramatic point was reached. It's overwrought, bigger than real life and pretty predictable, but it plays to its star's strong points and is quite an enjoyable watch.

Martin T 09 Apr 2010

Even as a Crawford fan, I have to say this is not one of her bests. FAR far too old to play this part and using old and what had become cheesy Crawford moves like the hiking up the skirt and jutted out jaw in the romantic kiss scenes, softened and veiled lens tricks to try to make her appear younger, all of this does in fact take away from what would otherwise be an interesting noir-ish story that was also otherwise well directed by Vincent Sherman and well performed by all else in the film. On the other hand, as a Crawford fan you may also enjoy it just for the kitchy hoaky ala Crawford moves she makes in this film. I often think she may have made better choices for herself in film had they been presented to her. At the time (and truly even now) there weren't a lot of good parts for mature older women. I would like to think HAD there been she may have not made so many films in her later years trying to play a woman in her 20s and 30s when she was in her 50s/60s.