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The Cheat (1915) Full Movie

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The Cheat (1915)

A venal, spoiled stockbroker's wife impulsively embezzles $10,000 from the charity she chairs and desperately turns to a Burmese ivory trader to replace the stolen money.

Provider
- Watch The Full Movie
Year
- 1915
Language
- English
Duration
- 59 mins
Director
- Cecil B. DeMille
Starring
Genres
- Drama
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5 Comments

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John H 20 Nov 2012

remade in title only in 1931 starring tallulah bankhead

Ian F 11 Feb 2011

I think it's funny that Hayakawa is the only person here with an image with his cast listing as this was to be a Fannie Ward film but Hayakawa was the star! Maybe if she didn't overact so much! Yes it was the Silent era and yes it was 1915, but still she was so funny because she was so bad! In truth the best part was Hayakawa. Otherwise, while the film was more memorable from others in this class, it was just okay. Everything was well done, but the overacting! Yeesh!

Aj V 02 Nov 2011

I loved this movie, it mixes the romance, thriller, and drama genres, sort of like a film noir, but much earlier. There are a lot of cool editing techniques used skillfully too. And I loved the ending. I highly recommend this movie, it's the best movie I've seen from the 1910s so far.

Clayton J 06 Oct 2010

This film doesn't hold up particularly well. While the cinematography and lighting is quite modern in style, the plot is too dated. It's not even really the plot, but the ending comes across as contrived, overly dramatic and a touch racist. While Hayakawa gives a wonderful performance, his sneer is fabulous, with what he's given to work with, the overall effect of the film comes across as the whites triumph over the evil Asians, which leaves a bad taste for a modern audience.

Zane U 28 Aug 2009

95 years later, it's hard to watch without a significant amount of discomfort at the "yellow panic" that marks the villain as a villain primarily due to his Asian ethnicity. The titular "cheat" is very elusive, though, as it could be referring to any of a number of lies, secrets, and double-crossings that take place. Taking a step back from its offensive portrayal of the Asian villain, as a DeMille film it still has technical merits and was a very popular film when it came out, launching Hayakawa to stardom that gave him the opportunity to atone for his caricatured Asian villainy.