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The Barkleys of Broadway Full Movie

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The Barkleys of Broadway (1949)

Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.

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Carter M 28 Sep 2007

Not Fred and Ginger's best, but you really can't go wrong with them. I love their dynamic in this. It's kind of like watching their characters from Swing Time or Shall We Dance 10 years down the road.

Brian S 17 Dec 2009

whatever chemistry Fred and Ginger had in their earlier films is trumped about tenfold in this film--one of the best show-business married couples I've ever seen. being both an F&G movie and an Arthur Freed project, the storyline is obviously a bit cookie-cutter, but the presentation is still excellent. most of the songs are pretty forgettable, but the dance numbers are awesome and Oscar Levant's piano numbers are pretty classy as well. a beautiful way to close the Astaire-Rogers chapter in movie musicals.

James H 08 Feb 2010

6.5/10. This last pairing of Fred Astaire and Ginger Rogers is certainly the least entertaining of their musicals. They lack the chemistry that was so evident in previous films. The score isn't bad, but none of the songs are very memorable. Good production values. Another thing lacking from their previous films is a strong supporting cast.

Mark M 17 Feb 2009

Wow, to have been around when this movie came out, to see Astaire and Rogers together after a decade! And to see them shine and charm all over again must have been priceless. Although the movie had a new feel to it (both in color and both more amorous!) it still had a lot of classic and newly memorable moments: the metatheatrical "You'd be Hard to Replace"; the energetic tap number "Bouncin' the Blues" that showed they definitely still got it; Astaire's "Shoes With Wings On"; and the incomparable reprisal of "They Can't Take That Away From Me" with dancing that fit perfectly into the plot. Oscar Levant's piano performances were a nice little bonus, although I wish during Tchaikovsky's concerto they could've simultaneously advanced the plot. It seemed like there weren't too many couple dances; I wish the opening one wasn't obscured by the credits. Other than that, very enjoyable, especially if you put yourself in the shoes of a late 1940s movie go-er itching to see the golden pair back at it.

Ruby L 25 Jan 2007

Once again: Hurrah for Oscar Levant! Oh, yeah, and Fred Astaire.