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The B-Side: Elsa Dorfman's Portrait Photography Full Movie

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The B-Side: Elsa Dorfman's Portrait Photography (2017)

Portrait photographer Elsa Dorfman found her medium in 1980: the larger-than-life Polaroid Land 20x24 camera. For the next thirty-five years, she captured the "surfaces" of those who visited her studio: families, Beat poets, rock stars, and Harvard notables. As pictures begin to fade and her retirement looms, Dorfman gives Errol Morris an inside tour of her backyard archive.

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5 Comments

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J

Jordan M. Smith 05 Dec 2018

Touching on the importance of friends and family, the temporality of memories, and the photographic process itself, this is a surprisingly light, but sure footed ode to a fellow image maker.

K

Ken Eisner 21 Jun 2017

She also ended up with a stash of that Polaroid product, but now that it's almost gone, Dorfman herself ends up a scratchy B-side of the lapsed century. But that's not fair, Morris seems to argue. She was a hitmaker from the start.

E

Ella Taylor 28 Jun 2017

Clocking in at a trim 76 minutes, The B-side is as warmly affectionate as its subject, a close friend and neighbor of the director.

R

Robert Abele 28 Jun 2017

This is the rare Morris movie that feels led by the personality of its star figure, in this case Dorfman’s wry positivity and love of what she does, rather than his need to probe.

A

Andrew Barker 12 Sep 2016

This portrait of the artist as an old woman is a gentle-hearted gem, as profoundly subtle as it is subtly profound.

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