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Shock Corridor Full Movie

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Shock Corridor (1963)

With the help of his girlfriend Cathy and Dr. Fong, a psychiatrist, ambitious journalist Johnny Barrett poses as a madman in order to be admitted to a mental institution where a bloody murder has been committed.

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5 Comments

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Steve T 05 Apr 2013

It has its merits, yeah, but central plot and portrayal of mental conditions are painfully silly and ignorance-revealing.

Dave Kehr 30 Oct 2014

This 1963 film is harsh, grotesque, and violent-and, incidentally, brilliant in a very original way.

Peter F 18 Aug 2014

A rousing pulp narrative as much as a psychological showcase of a descent into madness, Shock Corridor is one of Sam Fuller's most impressive films. A film eons ahead of its time in terms of style and subject matter, many might find it unbelievable that this type of American film existed before the dawn of New Hollywood. Shot with a keen eye for detail, along with occasional explanatory sequences that are done in full color, the film certainly exists as it is through Sam Fuller's background as a journalist, but he's also able to capture the film's more fantastic elements in a way that doesn't feel inappropriate. Funny, original, and ultimately tragic, Shock Corridor gives One Flew Over the Cuckoo's Nest a worthy adversary for the title of "Best Insane Asylum" movie.

Tara V 04 Jul 2016

Samuel Fuller proves to be a true auteur of film with Shock Shock corridor. Jump cuts, transitioning between black and white and color, and a story that makes the audience feels as though they're going as crazy as the main character of his film. What great about this film is that Fuller makes every attempt to pull the audience into his mind. You can't watch this film without becoming a part of it, which is the way it should be.

Anastasia B 20 Oct 2009

What can you write on Samuel Fuller's work without looking like a moron? I don't want to resort to academic criticisms which sound empty to people who haven't studied film, but can FEEL when a film is good or bad. Samuel Fuller's films ARE "bad". But his art is THE RE-DEFINITION of bad. His films work their way into your mind like a worm. If I had to compare him to someone, I would compare him to Trier and Bergman. His work reminds me of both, in terms of emotional impact, of the way he paces his films, of the cruel insight he has on reality's worst aspects. Fuller's films are a life-time experience. I don't think anyone should let critics and academia lead them on this and tell them how and what they should think of a film, what's more this one. Just get there yourself and (unlike his characters) remember the way to get back...