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Orphans of the Storm Full Movie

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Orphans of the Storm (1921)

France, on the eve of the French Revolution. Henriette and Louise have been raised together as sisters. When the plague that takes their parents' lives causes Louise's blindness, they decide to travel to Paris in search of a cure, but they separate when a lustful aristocrat crosses their path.

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5 Comments

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Andrew U 06 Dec 2010

A little weaker than other Griffith films in terms of story. But like always Griffith has this insane ability to make epic battle sequences look impressive..somehow more impressive and urgent than most contemporary epic film-making.

Ray J 24 Mar 2010

D. W. Griffith chooses the French Revolution for this one, making a salient point about not mistaking fanatics as leaders. But we went ahead and elected our own version of Robespierre anyway.

James H 17 Nov 2005

Excellent silent film, a very sweet drama with superb performances from real life sisters Dorothy and Lillian Gish. Amazingly done, very touching. Well directed. A piece of cinematic history.

Scott R 15 Aug 2016

Sprawling epic tale of two sisters during the time of the revolutions in France. In many ways this film rivals the 1939 epic Gone With the Wind: A long film which takes place over several years, kindness in the face of adversity, the passing of established society, and girls becoming women by trials of all sort. Not to mention the lavish costumes, sets, and well weaved story-lines. Based on a mid 19th century French play, this was the fifth adaption to the silent screen - and likely the best. I just wish the doctor had had a larger part in the midst of the maelstrom. There is an intermission about 2/3 of the way into the film, so it could be watched in segments.

John A 30 Apr 2012

Griffith is just a master of visual storytelling. This film flows so well, alternating moments of tension with moments of excitement with moments of pathos and so on. The last 45 minutes or so are a frenetic mix of all these elements, bringing the film to a satisfying, if not unexpected, close. Lillian Gish is especially good in the latter portions of the film, while Griffith is able to bring a sense of intimacy in spite of the revolutionary context.