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Impulso (2018)
The spectacular avant-garde choreographies of flamenco dancer Rocío Molina push at the boundaries of dance and the visual arts. She travels the world to perform her partly improvised impulsos at unusual venues such as modern art museums. This bio-doc follows Molina in the months leading up to a new show at Chaillot National Theater in Paris.
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3 Comments
Ben Kenigsberg 17 Oct 2018
The movie’s challenge is to bottle her spontaneity, which is clearly thrilling to behold in person but less dynamic in a medium that requires every move to be selected in advance, without the suspenseful bond that an artist shares with a live audience. Belmonte gets caught between two modes of nonfiction filmmaking.
Lisa Jo Sagolla 17 Oct 2018
While she is a fascinating contemporary performer—one who certainly merits introducing, as many dance aficionados don’t even know who she is—this extended cinematic look at Molina might have been more effective as a documentary short.
Frank Scheck 17 Oct 2018
For all its effective camerawork and editing, the film can't fully convey the experience of seeing its subject in person. But it certainly provides more than enough motivation for making every effort to do so.
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