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Georgetown (2019)

Ulrich Mott is an eccentric and versatile social climber with grandiose plans to affect United States foreign policy. Encouraged in his attempts by his strategically chosen (and much older) wife, the well-connected journalist Elsa Brecht, Mott has a knack for making himself indispensable and impossible to ignore. The only one seemingly immune to his charms is Elsa's daughter Amanda, who might simply disapprove of her mother marrying a much younger man - or perhaps she senses something more sinister beneath the smooth-talking surface?

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Peter Debruge 30 Apr 2019

It’s downright tricky to maintain the tone Waltz is going for here, but the story is consistently outrageous enough to keep us guessing, and Redgrave goes a long way to offset the lunacy of it all. ... But instead of getting more interesting as it goes on, Waltz’s performance grows tiresome.

TVJerry 23 Jan 2022

Christoph Waltz plays a complex, eccentric character who seduces a prominent political DC socialite (Vanessa Redgrave). After they're married, he starts scamming her and her government official friends, while her daughter (Annette Bening) has doubts about his try motives. The narrative moves from crucial past landmarks to present day events that lead up to the investigation into the wife's murder. Waltz's character is certainly enigmatic, but his inscrutable character never evolves. Meanwhile, Redgrave's every moment is compelling. As a director, Waltz manages to tell the story with simple skill, never building any tension with the increasingly implicating events. Even though it's based on actual events, the ending is never fully resolved, but the unique situations and involving performances make it interesting.

Rex Reed 17 May 2021

The acting is first-rate from start to finish, but it is really Mr. Waltz who keeps the action flowing. Both demon and clown, he’s horrifying, appealing and immensely mesmerizing in a film about the pitfalls that await anyone who falls for charm while ignoring the evils that can sometimes hide behind the facade of disingenuous priorities.

Richard Roeper 17 May 2021

Smart, sly and subtle, Georgetown is in the tradition of Reversal of Fortune, The Informant! and Catch Me If You Can — fictionalized and stylized entertainment based on true crime events.

Calum Marsh 19 May 2021

The cast can only do so much with thin material, and Waltz, duping and swindling grandly, isn’t equipped to make the long con interesting.