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Dos estaciones (2022)

Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community's main source of economy and pride.

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5 Comments

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Roger Moore 01 Sep 2022

It’s the detail, the sense of small lives closed off and growing more isolated that makes this film worth watching.

William Repass 08 Sep 2022

For all its lush cinematography, capturing regional custom and dramatic panoramas alike, this is a film about repression, an inhibition that no amount of tequila can take away.

Robert Abele 01 Sep 2022

In a sense, Dos Estaciones creates its own gripping shot-chaser cycle of moods, the accumulative effect of landscape beauty, grim news, observed process (the machinery of making tequila), and abiding solemnity from Sánchez’s commanding turn, giving us plenty to digest when the incident-heavy final stretch occurs.

Jenny Nulf 06 Oct 2022

For years it feels like the upcoming tequila shortage has been whispered about. But with so many celebrities announcing their own tequila brands, sometimes it’s hard to grasp the dire situation many tequila plants are facing. Juan Pablo González’s film Dos Estaciones centers around this very real crisis, a subtle reflection on the political and environmental pressures Mexican-owned tequila factories are facing.

bertobellamy 16 Jul 2023

It portrays very well the inherent frustration of leading an SME in Mexico, where so much has to do with external factors. Teresa Sánchez, who plays the desperate owner of a tequila factory on the brink of ruin, emerges as the soul of the film; she impresses by conveying despair with so little expression and a rather enigmatic performance. The almost documentary approach chosen by director Juan Pablo González allows us to take a look at the national industry of the emblematic drink, threatened by environmental issues and foreign interference. What is strange is the inclusion of a subplot around the protagonist's trans stylist, who lives her own path as a businesswoman, although in different circumstances. Beyond this parallelism, I did not quite understand what González wanted to do with it. Be that as it may, "Two Seasons" hits the mark with its theme and by establishing the main character as an icon of resistance in the midst of the catastrophe. Incredible that Sánchez wasn't nominated for an Ariel for her work.