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Ararat (2002)

Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.

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5 Comments

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Jonathan Foreman 20 Nov 2010

Egoyan treats the Armenian genocide and its aftermath as a metaphor for cruelty and denial -- an exercise in either pretension or timidity that exploits this tragedy.

Michael Wilmington 26 Nov 2002

This toweringly ambitious picture confronts a brilliant director, Atom Egoyan, with a major historical event and a profound theme.

Keith Phipps 30 Mar 2014

Though typically engaging, Ararat occasionally suffers from what's previously been a virtue in Egoyan's filmmaking. His distancing techniques, rather than sharpening his ability to deal with a subject that lends itself to high emotion -- sometimes just seem distancing.

Desson Thomson 01 Jul 2012

Doesn't connect with its audience in the one place that matters most: the heart.

James Berardinelli 27 May 2002

Whatever the reason, the characters often seem only half-formed and there's a strange artificiality about the entire endeavor. Egoyan has never been a realist, and his style has contributed to his ability to deliver a knockout punch. Here, that punch is missing.